photo credit: Sean Sliney
Growing up in Boston, Elisabeth attended Brown University, and earned a PhD in American Literature at Brandeis University. She has published scholarly articles on subjects as diverse as Walt Whitman and Cinderella, and her essays and Pushcart-nominated short stories have appeared in a variety of publications. She worked as a magazine editor, a high-tech product manager, and a halfway house counselor before beginning to write fiction. Her first book, North of Boston, received a starred review in Publisher’s Weekly and was named a Booklist Crime Fiction Debut of the Year in 2014.
We are delighted to have her blogging with us, and even more delighted that she decided to answer the Rogue list of In the Limelight questions. Here goes:
Elisabeth with Sakha Family doing research in northeastern Siberia
Which is harder: writing the first or last sentence?
There’s no question that the first sentence is harder, maybe the hardest of all. Everything has to be right: the voice, the tone, the setting. What the sentence is about ought to be what the book is about, too. Oh, and it should fire up the plot. That’s a tall order! I have no idea how to accomplish all that in one sentence, but I try. The first sentence of FINDING KATARINA M. is terribly mundane: “There’s one more person to see you,” my assistant said. Not anything to brag about. But it does nod in the direction of one of the most common and durable plots in storytelling: A stranger comes to town. Only Natalie, the main character, is soon to become that travelling stranger herself.
What’s your favorite word?
Serendipity. I was asked that question in a job interview once, and I gave that answer and got the job. So that’s been my favorite word ever since.
Where do you like to write?
I write at home sitting at my desk. I used to go to coffee shops or libraries, but there was a lot of going and setting up and then closing down and coming home, not to mention parking, so in the end I found it simpler to just stay home and get to work. The coffee isn’t as good, but it’s cheaper, and now I have a dog and I don’t want to leave him alone for hours. So here I stay. I usually keep a vase of fresh flowers on my desk, so that makes it special.
What do you do when you need to take a break from writing?
If you could have lived in a different time period, what would that be? I don’t want to live in any era of the past. For me, the past is full of horrifying wars, gross inhumanity, sexism, racism, poverty, and terrible diseases. Given what I just said, you might find it hard to believe that I’m actually a starry-eyed optimist. I agree with Martin Luther King Jr. that “The arc of the moral universe is long, but it bends toward justice.” I want to live in a more just future where amazing scientific advances have alleviated most forms of human suffering, and where we’ve all grown much kinder to children and more respectful of the elderly. I figure that’s…hmm, the year 3015? With any luck, the planet will still be around.
What’s your favorite drink?
Do you have a literary hero? A teacher, mentor, family member, author who has inspired you to write stories?
Do you write what you know or what you want to know? When I write about relationships, I’m writing about what I’ve experienced or observed. In every character I create, there’s some sliver of a real person from my life. But I also love taking my characters and myself to unusual places where we are completely out of our depth and have to adapt quickly to survive. I always want to be learning new things when I read and write, not just stumbling about in the kinds of situations I already know too well.